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Israels' benadering van het strand als onderwerp was revolutionair voor zijn tijd. In plaats van de traditionele, statische portretten of landschappen, koos hij ervoor de *ongedwongenheid* en *natuurlijke houdingen* van mensen vast te leggen. Hij schilderde *kinderen die spelen*, *vrouwen die flaneren* en *mannen die ontspannen*. Zijn werk was *een viering van het dagelijks leven*, een thema dat steeds terugkeert in zijn werk. De keuze voor het strand als locatie was eveneens cruciaal. Het strand, met zijn *open ruimte, heldere licht* en *variëteit aan personages*, bood Israels de perfecte omgeving om zijn artistieke visie te verwezenlijken. Het was de perfecte plek om de schoonheid van het leven vast te leggen. De invloed van het impressionisme is overduidelijk. De losse penseelstreken, de focus op licht en kleur, en de weergave van de vluchtige momenten zijn allemaal kenmerkend voor deze stroming.
